A powerful vocalist and energetic performer, backed by a band (called Ta Thaiyaa) that can number up to eighteen members, she regularly blends traditional styles with a more modern approach. She has performed in many shows, Number of her shows has been through out the night, both in India and other countries. She has also recorded numerous songs that have featured in Bollywood movies. Her debut album was released in 1998, and was the first of at least a dozen bearing her name. Nevertheless, having won him over, she was performing regularly from the age of ten. Indeed, when she performed in public for the first time at the age of nine, her father made no secret of his disapproval, so much so that he beat her. She has claimed in interviews that she became a singer "by default", having had no particular aspirations in that direction.
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She currently lives and works between Chicago and Bombay.Falguni Pathak is a Hindi singer and performing artist from India.She was born in Baroda and now after marriage, she is based in Mumbai (formerly known as Bombay, but with a strong affinity towards the traditional music of the Indian state of Gujarat, she has, since her professional debut in 1998, developed into a leading Indian pop personality sometimes called the "Queen of Dandiya".
Sharvari is a researcher and teacher of theatre and performance with a passion for 90s popular culture and esoteric geography trivia. Finding Falguni requires no once-upon-a-time-narratives or serendipitous meet-cutes she is just there, always already known, and always already loved. With her sheer queer presence she disrupts the boringly linear logic of heteronormative encounters. We see that desire in Riya and co.’s hungry stares we see it in the next-door neighbour’s impish appeals but most of all we see it in Falguni herself, who receives and bestows attention with charming ease and somehow happens to be at all the right places at all the right times. The same-sex subtext in Meri Chunar is obvious enough for it to have become a regular in listicles of the “ Ten Times India was Accidentally Queer” variety but with each of her offerings, Falguni Pathak gave us a vision of world where it was okay – even fun – for women to love other women, to imagine a life with them, and, most importantly to my preteen self, to openly desire them.Īlso read: Film Review: Fire -On Queering Love And Beyond
In a refreshing change, the man in the video is not purely decorative but perhaps also a potentially powerful ally. But right when we fear that all is lost, Ayesha finds a new confidante who literally comes out (of a painting) to her, offering her a listening ear and a dancing hand. Even though it is hard to understand why they insist on wearing their shoes on their wrists, it is only natural to feel completely heartbroken at their separation.
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The star-crossed lovers share a gentle, joyful relationship, full of laughter and avant-garde hand ballet. And just like that, with a casual toss of her head, she inducted me/Riya into her gang of sapphic garba groupies, and we never looked back. When I saw that first shot of Falguni, in her butch blue blazer, earnestly impersonating a cuckoo, I knew that life would never be the same again. The real hero, we know, is already centrestage. But it soon becomes apparent that Riya’s sartorial zeal is not directed at any man, big or small.Īlso read: Understanding Queer Fan-Fiction As The Site For HealingĮven though the male model in the video possesses all the essential 90s heartthrob qualities – such as a middle-parting, unsolicited advice and two shirts – he is ultimately irrelevant. At first glance, the gaggle of girls in the music video seem to be India’s answer to Sex and the City, where Riya Sen, in true Carrie Bradshaw fashion, tries on outfit after outfit, only to reach her moment of high glory clad in a towel. It all started in 1998, with the deceptively saccharine Yaad Piya Ki Aane Lagi, fondly known as Chudi.